Preserving & Framing Autumn Leaf Tutorial

I adore Autumn. This year, I created my own Autumn Leaf Tutorial that preserves the leaves as well as turns them into elegant works of art. This was easy, fun, relaxing, and cost me a total of five dollars. I already had supplies at home, total cost might be $5-20 depending on the frames you use & where you buy supplies. I went to the dollar store.

Below is a finished 11 x 14. 

Supplies:

• - Small wide paint brush 
• - Modge Podge [clear drying craft gloss lustre, $4 for 4oz, or $1 at the dollar store, 4oz. is more than enough.]
• - Cardboard [or a disposable work-space to on.] 
• - Dried Leaves
• - Frames [I made 4. Any size. Style of frame matters. They must have a frame back similar to the photo below so the glass from another frame can fit as a clear backing instead of a colored backing.] 

You will need 2 frames to make one complete frame. Buy double the frames you plan to make. Discard the frame/backing from one, keep the backing hangers and glass depending upon how many frames you make.]
Small nails to hang frames. 

The instructions are outlined below with photos from start to finish:

Collect leaves early morning still wet, not wet is fine too. Leaves keep their brighter colors when still wet. Pick leaves from various trees for shape/color.

After collecting, press them flat when home. Paper towels and/or tissue folded in half works good. Place leaves between one fold making sure no leaves overlap, stick out or are bent on edges. Place them between pages of heavy books. Let them dry. 

 

Take cardboard, lie flat. Get modge podge and paint brush. Take each dried leaf separate and coat back and front of each leaf generously. You will have to dab off with brush extra coating so it does not leave marks when dry. All you want is a glossy finish that also preserves the leaf. Be careful, you can easily crack a nice leaf. Stems are fine to break or break off.

 

Use different techniques with the brush to make sure the leaf is fully coated front and back. 

After the leaf is coated, let it dry, about 20 minutes, away from other leaves and off the edge as below. 

When the leaves dry, they will look like below. Slightly glossy and preserved. Notice how the dry leaves you started with are different.

Important: When buying a frame, make sure the backing is like below. When you frame, take apart one frame, discard the cardboard backing, save the clip holders. 

Use superglue to glue one clip from discarded frame onto the frame you will use to hang. Let that dry. Remove glass from discarded frame, recycle the other frame or use it for another project. Take the glass from discarded frame and use that as the new backing for the frame that will have leaves in it.

 

When ready to add leaves to one frame, place glass face down in the frame and creatively place the leaves wherever you see fit. Make it diverse, coorful, interesting. When pleased, put the glass from discarded frame on top of the upturned leaves and clamp down the hooks to secure the leaves in place. This glass is now the backing of one frame so you are able to see through to the wall instead of seeing a cardboard or colored backing. 

Below are examples of up close finished frames, different sizes and designs. 

Below is how I chose to design one wall with 4 finished frames. 

This is another example.

This project is easy, fun, and inexpensive and looks beautiful. The glass backing works well against lighter colored walls and up close, you are able to see the veins in the leaves and the changing colors. 

Now you have not only an artistic display, but preserved Autumn leaves. Experiment. There are many ways to do this. 

Have fun and enjoy!

The artwork in the middle [Love Yourself First in Arabic and English calligraphy] was gifted to me by my sister, artist, writer in Kashmir, Amreen Naqash.

SUNY ECC Students and Modern Poetry [Visiting Speaker on Poetry]

Published on Mogul

Jennifer Campbell --> jennifer-campbell.com/ educator, editor, poet and writer, invited me to speak to her SUNY ECC students on Modern Poetry, Writing and Spoken Word. The students had such enlightening questions to ask me during and after. This is a short audio excerpt of that visit.

This can be listened to on Think Twice Radio and Soundcloud and below, embedded.






We often do not realize what we project out to the world and feedback is important. After we talked, laughed and learned from one another, a few students had mind blowing things to say to me.

One student told me she enjoyed my talk because I was simply real. Another stated that she adored my reading of the poem "I Am' because it empowered her. One student told me that "I pulled a Stephen King" and I will take that compliment with a great big smile. Several students told me that I did a good job and my writing is different and for me, such words are important and essential and tell me I am on track at getting my own messages across regarding all forms of writing.

This audio is funny, upfront and well, it is me, simply as I am. I hope you enjoy. I am most honored to have been able to speak to students on writing. 

Thank you Jennifer and thank you to all the students of her Modern Poetry course. 

Get writing! 


 *

Speech

How does one say

         isleofview?

such words seem
hollow even

         pinging
echo like

         stone

dropped for
         distance

traveled

d
  o
   w
     n

         well(ing) within

HOME

 

Being No-thing-ness

We meet people for the purpose of elevation of the soul, sometimes elevation for one person, hopefully, for both.

On existence:

From Being and Nothingness: "Sartre contends that human existence is a conundrum whereby each of us exists, for as long as we live, within an overall condition of nothingness (no-thing-ness)—that ultimately allows for free consciousness. But simultaneously, within our being (in the physical world), we are constrained to make continuous, conscious choices." 


I agree. This is a difficult way to exist at times.

 
People enter our paths for reasons. It is up to us to understand what the purpose is. Sometimes you may not know right away. No matter what occurred before, during and after, our mission for betterment and evolution of consciousness is to realize that everything is eventually positive. There are no negatives. Only lessons on both ends. It is not your mission to make the other person realize this; it is only your own understanding and purpose that matters. 

This is growth.

Giving of yourself allows openness, acceptance, and vulnerability. Without being free in the sense of an accepting soul, there simply cannot be divine love. Giving of self can be both beautiful and painful. Do not fear this, accept it, allow yourself to feel and move past all human condition to a place where you are grateful for every experience and encounter.

I have discovered that a lot of people are afraid of a pure unconditional outpouring of love. There is fear attached to love because we are taught by society to be on guard. This is not a natural way to exist.

Terms such as "soul-mate" and "one and only" keep us from experiencing numerous spiritual bonds in various fashions and such bonds must be honored and respected. The only time you must walk away from a situation is when there is pain and hurt. It is unhealthy to stay in a place of negativity.  

Think: Purpose met, time to leave.

Humanity is in dire need of healing. 

 
It is so easy to love and there is so much love to give. 

Your Most Holy Mouth

On Audio HERE

 

The wind screeches thunder
like my
breath
caught,
a doe
in headlights

Your eyes
deep as night,
the velvet silken touch of eve -
your skin,
olive, tanned,
muscled arms,
around me
wrapped,
ever so loving

My legs
slender, tight
gripping your
heart
beats
fast
for the sun to rise
and rise
and shine
like Valhalla

I hear the Valkyries
scrying wondrous wishes
upon the backs
of great golden eagles
flying across heaven
as kamikazes
bringing us
golden majestic
cirrus dreams
of reams and streams
of years
of walking barefoot
together,
apart,
hand in hand
mouth to
lips
to
neck to thighs
to the middle of my
third eye
wide
open

The birds sing sweetly
for us,
the grass grows tender
as roses in November,
and the seasons bestow upon us
burnt sienna skied sunrises

And the sand in our eyes
is glitter on New Years Eve,
when the clock strikes midnight
and a new year births itself
between my legs -
your most holy mouth,

sighs


© Susan Marie

The Seeds of Violence

Published on: 

CNN International

Mogul

WGRZ CH 2 News NBC

© Nimble.com

By Haneen Khalid

Peshawar, Paris, Beirut- these are not one-off, isolated, contained pockets of dysfunction. They mirror something very fundamental about the human condition as a whole.

Violence is not merely the use of force. It is not the child of the battlefield, or the killing of innocents; it is not the use of firearms or fists. Violence is the seed planted in our drawing rooms and over our dining tables, in our classrooms and our marketplaces, in our sermons and our TV studios.

Every single time we glorify the 'self' and dehumanize the 'other'- by virtue, by race, by ethnicity, by nationality, by caste, by religion, by sex, by income group- the seed of violence is planted:

I am better than you, I am more than you, my worth is higher, because I am Muslim, and you are not OR, because I am NOT Muslim, and you ARE. I am more than you, my house is such, my family is such, my face is such, my degrees, my job, my, my, my, my . . .

Every time I make the choice that my primary relationship with you is by any of these things, rather than by the life that flows through your veins and mine, I have planted the seed of violence. I have set myself up for manipulation by those who understand this, those who know that the terms between you and me are material, not human. And in that moment I have glorified myself, and dehumanized your worth. And in that moment I have planted the seed for another Peshawar, another Paris, another Beirut.

We are each one responsible for the reverence we give to human life and human dignity.

And unless we respond to these wake-up calls - they will keep coming.
  

*Haneen Khalid, representative for Global Zero and founder of Progressive Youth Alliance, is a humanitarian focused on global solidarity, peace and nuclear disarmament. Recently, Miss Khalid spoke to hundreds of people on behalf of Global Zero in Karachi, Pakistan in a related CNN iReport.

Hope

On Audio HERE 

© Susan Marie 

My kiss
may never meet
your lips

and our eyes
may never be
locked
in ultimate ecstatic
wonder,
simply,
of one another.

My hands
may never grasp
your own,
as they work their way
along my
skin,
soft,
pure,
marking lines
etched,
eons ago
recalled,
remembered,
brought to life
for you,
always
for you,
for us.

only -

This does not
cause me grief,
my sweet surrender.

Our souls
have met
before
and yet again,
here and now.

My love,
we share lifetimes
that others
standing side by side
may never discover.

Our most holy union
resides
between the thin line
that hides
between the sunset
and the ocean,

eternal.


© Susan Marie

Three Line Poetry Published in Prolific Press

Prolific Press published a poem of mine in Three Line Poetry:

Issue #34

Book in print HERE

Prolific Press is more than a book publisher. Prolific oversees the creation and publication of eight established and respected literary journals. Prolific Press has published works by thousands of authors, making Prolific one of the most desirable targets for writers in today's market. 

Prolific Press currently publishes:

Poetry Quarterly (Flagship Publication)  
Inwood Indiana Press  
Three Line Poetry  
Haiku Journal  
Jitter Press  
Dual Coast Magazine  
50 Haikus  
Tanka Journal