Sunday, December 30, 2012

For Anonymous




Written by Nilanjana Roy 



That girl, the one without the name. The one just like us. The one whose battered body stood for all the anonymous women in this country whose rapes and deaths are a footnote in the left-hand column of the newspaper.

Sometimes, when we talk about the history of women in India, we speak in shorthand. The Mathura rape case. The Vishaka guidelines. The Bhanwari Devi case, the Suryanelli affair, the Soni Sori allegations, the business at Kunan Pushpora. Each of these, the names of women and places, mapping a geography of pain; unspeakable damage inflicted on women’s bodies, on the map of India, where you can, if you want, create a constantly updating map of violence against women.

For some, amnesia becomes a way of self-defence: there is only so much darkness you can swallow. They turn away from all the places that have become shorthand for violence beyond measure, preferring not to know about Kashmir or the outrages in Chattisgarh, choosing to forget the Bombay New Year assault, trying not to remember the deaths of a Pallavi Purkayastha, a Thangjam Manorama, Surekha and Priyanka Bhotmange, the mass rapes that marked the riots in Gujarat. 

Even for those who stay in touch, it isn’t possible for your empathy to keep abreast with the scale of male violence against women in India: who can follow all of the one-paragraph, three-line cases? The three-year-old raped before she can speak, the teenager assaulted by an uncle, the 65-year-old raped as closure to a property dispute, the slum householder raped and violently assaulted on her way to the bathroom. After a while, even memory hardens.

And then you reach a tipping point, and there’s that girl. For some reason, and I don’t really know why, she got through to us. Our words shrivelled in the face of what she’d been subjected to by the six men travelling on that bus, who spent an hour torturing and raping her, savagely beating up her male friend. Horrific, brutal, savage—these tired words point to a loss of language, and none of them express how deeply we identified with her.

She had not asked to become a symbol or a martyr, or a cause; she had intended to lead a normal life, practicing medicine, watching movies, going out with friends. She had not asked to be brave, to be the girl who was so courageous, the woman whose injuries symbolised the violence so many women across the country know so intimately. She had asked for one thing, after she was admitted to Safdarjung Hospital: “I want to live,” she had said to her mother.

We may have not noticed the reports that came in from Calcutta in February, of a woman abandoned on Howrah Bridge, so badly injured after a rape that involved, once again, the use of iron rods, that the police thought she had been run over by a car. 

We may have skimmed the story of the  16-year-old Dalit girl in Dabra, assaulted for three hours by eight men, who spoke up after her father committed suicide from the shame he had been made to feel by the village. Or some may have done something concrete about these things, changed laws, worked on gender violence, keeping their feelings out of it, trying to be objective. But there is always one that gets through the armour that we build around ourselves. 

In 1972, the first year in which the NCRB recorded rape cases, there were 2,487 rapes reported across India. One of them involved a teenager called Mathura, raped by policemen; we remember her, we remember the history and the laws she changed. (She would be 56 now.)

Some cases stop being cases. Sometimes, an atrocity bites so deep that we have no armour against it, and that was what happened with the 23-year-old physiotherapy student, the one who left a cinema hall and boarded the wrong bus, whose intestines were so badly damaged that the injuries listed on the FIR report made hardened doctors, and then the capital city, cry for her pain.

She died early this morning, in a Singapore hospital where she and her family had been dispatched by the government for what the papers called political, not compassionate, reasons.

The grief hit harder than I’d expected. And I had two thoughts, as across Delhi, I heard some of the finest and toughest men I know break down in their grief, as some of the calmest and strongest women I know called and SMSed to say that she—one of us, this girl who had once had a future and a life of her own to lead—was gone, that it was over.

The first was: enough. Let there be an end to this epidemic of violence, this culture where if we can’t kill off our girls before they are born, we ensure that they live these lives of constant fear. Like many women in India, I rely on a layer of privilege, a network of friends, paranoid security measures and a huge dose of amnesia just to get around the city, just to travel in this country. So many more women have neither the privilege, nor the luxury of amnesia, and this week, perhaps we all stood up to say, “Enough”, no matter how incoherently or angrily we said it.

The second was even simpler. I did not know the name of the girl in the bus, through these last few days. She had a name of her own–it was not Amanat, Damini or Nirbhaya, names the media gratuitously gave her, as though after the rape, she had been issued a new identity. I don’t need to know her name now, especially if her family doesn’t want to share their lives and their grief with us. I think of all the other anonymous women whose stories don’t make it to the front pages, when I think of this woman; I think of the courage that is forced on them, the way their lives are warped in a different direction from the one they had meant to take. 

Don’t tell me her name; I don’t need to know it, to cry for her.



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Saturday, October 27, 2012

An artist, holistic care and New York


I am asking you to help me give back.



Amy Zukoff is a licensed medical massage therapist [as well as Thai Massage] who came back to Buffalo, after living in Europe for several years, to practice and give back to the city. She bought a home in Elmwood Village and it doubles as an art studio. The atmosphere is simply out of this world. Every time I visit there, I am taking pictures of her artwork.




Amy is by far, one of the biggest supporters I have come across in a long time who truly cares about health while keeping finances and small business in the city, as well as art. She may have chosen to stay in another city or nation, yet she came back to Buffalo.




Amy designed the studio herself. I adore it here. Below is her contact info.

Connection Studio:





Amy helped me immensely [and continues to] after a debilitating car accident in May 2012 where I were horribly rear ended. It was devastating. Another car was stuck beneath my SUV. I am most grateful to her.

Get a hold of Amy as a client, to cover her as media and to connect on Facebook and Twitter to simply say hello. You will be seeing a lot of press soon, as well as a new website.


Stay Healthy.

Peace,

Sue 



Sunday, October 21, 2012

Rustling the Leaves: Talking Leaves [Poetry]



Randy Rumley, [Raiders of Niagara] along with Talking Leaves independent bookstore since 1971, in conjunction with Just Buffalo Literary Center presented "Rustling the Leaves" with Ken Feltges, Susan Marie and Mark Fulk.

Below is live audio of poetry readings, an excellent article by Max Crillen and a photo stream.


"Rustling the Leaves"

1) Mark Fulk
  click here or direct download right click here

2) Sue Marie
click here or direct download right click here

 
3) Ken Feltges
  click here or direct download right click here

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Thank you, as always, for supporting the arts.