Tuesday, April 19, 2011

Translation Of Letter Written by Egida Beretta Arrigoni (Vittorio's Mother)




One has to die to become a hero, to hit the headlines and to have TV crews around the house, but does one have to die to stay human? 

I recall Vittorio in the Christmas of 2005, detained and incarcerated in the Ben Gurion Airport, the scars left by the handcuffs that cut his wrists, the denial of any contact with the consulate, the farcical process. And I recall Easter that same year, when just across the Allenby Bridge at the Jordanian border the Israeli police blocked his entrance in the country, put him on a bus and, seven against one (one of the seven was a policewoman), they beat him up “with skill”, without leaving any external marks, like the real professionals they are, then hurling him to the ground and throwing at his face, as a last scar to add to the others, the hair they had ripped off him with their machines.   

Vittorio was unwanted in Israel. Too subversive, for having joined his friend Gabriele one year earlier and demonstrated along with the women and men of the village of Budrus against the Wall of Shame, teaching them the lyrics and singing together our most beautiful partisan song 'O bella ciao, ciao...'.   

Back then no TV crew came by, not even when in the Fall of 2008 a commando attacked in Palestinian waters off Rafah the fishing boat he had boarded. 

Vittorio was incarcerated in Ramle and soon after sent back home with nothing but the clothes on his body. Nevertheless, I cannot but be thankful to the press and television that have approached us with composure, that have 'besieged' our home with restraint, without excesses and that have given me the chance to talk about Vittorio and about his ideals and the choices he made.   


 © Mohammed Elshamy


This lost child of mine is more alive than ever before, like the grain that has fallen to the ground and died to bring forth a plentiful harvest. I see it and hear it already in the words of his friends, above all the younger among them, some closer, some from afar. Through Vittorio, they have known and understood, and now even more, how one can give 'Utopia' a meaning, like the thirst for justice and peace, how fraternity and solidarity still stand and how, as Vittorio used to say, 'Palestine can also be found at your doorsteps'. 

We were a long way from Vittorio, but now we are closer than ever, with his living presence magnified at every passing hour, like a wind from Gaza, from his beloved Mediterranean, blowing fierily to deliver the message of his hope and of his love for those without a voice, for the weak and the oppressed, passing the baton.  

Stay human. 




____________________________________


Egidia Beretta Arrigoni | Madre di Vittorio Arrigoni


Bisogna morire per diventare un eroe, per avere la prima pagina dei giornali, per avere le tv fuori di casa, bisogna morire per restare umani? Mi torna alla mente il Vittorio del Natale 2005, imprigionato nel carcere dell’aeroporto Ben Gurion, le cicatrici dei manettoni che gli hanno segato i polsi, i contatti negati con il consolato, il processo farsa. E la Pasqua dello stesso anno quando, alla frontiera giordana subito dopo il ponte di Allenbay, la polizia israeliana lo bloccò per impedirgli di entrare in Israele, lo caricò su un bus e in sette, una era una poliziotta, lo picchiarono «con arte», senza lasciare segni esteriori, da veri professionisti qual sono, scaraventandolo poi a terra e lanciandogli sul viso, come ultimo sfregio, i capelli strappatagli con i loro potenti anfibi.


Vittorio era un indesiderato in Israele. Troppo sovversivo, per aver manifestato con l’amico Gabriele l’anno prima con le donne e gli uomini nel villaggio di Budrus contro il muro della vergogna, insegnando e cantando insieme il nostro più bel canto partigiano: «O bella ciao, ciao…»


Non vidi allora televisioni, nemmeno quando, nell’autunno 2008, un commando assalì il peschereccio al largo di Rafah, in acque palestinesi e Vittorio fu rinchiuso a Ramle e poi rispedito a casa in tuta e ciabatte. Certo, ora non posso che ringraziare la stampa e la tv che ci hanno avvicinato con garbo, che hanno «presidiato» la nostra casa con riguardo, senza eccessi e mi hanno dato l’occasione per parlare di Vittorio e delle sue scelte ideali.


Questo figlio perduto, ma così vivo come forse non lo è stato mai, che come il seme che nella terra marcisce e muore, darà frutti rigogliosi. Lo vedo e lo sento già dalle parole degli amici, soprattutto dei giovani, alcuni vicini, altri lontanissimi che attraverso Vittorio hanno conosciuto e capito, tanto più ora, come si può dare un senso ad «Utopia», come la sete di giustizia e di pace, la fratellanza e la solidarietà abbiano ancora cittadinanza e che, come diceva Vittorio, «la Palestina può anche essere fuori dell’uscio di casa». Eravamo lontani con Vittorio, ma più che mai vicini. Come ora, con la sua presenza viva che ingigantisce di ora in ora, come un vento che da Gaza, dal suo amato mar Mediterraneo, soffiando impetuoso ci consegni le sue speranze e il suo amore per i senza voce, per i deboli, per gli oppressi, passandoci il testimone.


Restiamo umani.

Egida Beretta Arrigoni 


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Free Gaza:
http://www.FreeGaza.org

Iara Lee: Cultures of Resistance World Film Premiere



(NYC, Pakistan, Russia, Chicago, NM, LA, Ethiopia, Boston, Greece, Turkey, Lebanon, Togo, Ireland, Nigeria)  




Does each gesture really make a difference? Can music and dance be weapons of peace? In 2003, on the eve of the Iraq war, director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, travelling over five continents, Iara encountered growing numbers of people who committed their lives to promoting change. This is their story. CULTURES OF RESISTANCE explores how art and creativity can be ammunition in the battle for peace and justice.



Iara Lee, a Brazilian of Korean descent, is an activist, filmmaker, and founder of the Caipirinha Foundation, which supports projects to secure peace with justice. Iara is currently working on a variety of initiatives, grouped under the umbrella of CULTURES OF RESISTANCE, an activist network that brings together artists and changemakers from around the world.



As an activist, Iara has collaborated with numerous grassroots efforts, including the International Campaign to Ban Cluster Munitions, the Conflict Zone Film Fund, and the New York Philharmonic's groundbreaking 2008 concert in North Korea.



From 1984 to 1989 Iara was the producer of the Sao Paulo International Film Festival. In 1989 she moved to New York City, where she founded the mixed-media company Caipirinha Productions to explore the synergy of different art forms (such as film, music, architecture, and poetry). Under the banner of Caipirinha Productions, Iara has directed short and feature-length documentaries including Synthetic Pleasures, Modulations, Architettura, and Beneath the Borqa. She has also organized lectures, photo exhibits, and fundraising events related to these initiatives.


Iara Lee is a member of the President's Council of The International Crisis Group (ICG) and the Council of Advisors of the National Geographic Society, as well as a trustee to the Pyongyang University of Science and Technology (PUST), North Korea's first and only university whose faculty will be entirely composed of international professors.


Iara Lee has begun a USA film premiere. Iara were on the Mavi Marmara and has traveled the world documenting art, culture and the use of that as a tool for positive resistance.


PLEASE SEE SCREENING SCHEDULE


Iara Lee states, "The message of Cultures of Resistance is that people throughout the world need to rise up to create positive change. That is something I have always felt. But I never expected to see this spirit being put into action so dramatically as it is now in so many countries in North Africa and the Middle East. Hopefully that spirit of change will inspire people in many more countries to come. Cultures of Resistance is a celebration of people's power and creativity. It promotes the notion that, if we all work together, we can--as Gandhi said--be the change we want to see."







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Think Twice Radio 
New York USA 2011

Saturday, April 16, 2011

Iara Lee: Cultures of Resistance Film Premiere Screening Dates


Iara Lee: Cultures of Resistance Film Premiere 
Screening Dates Global and USA


IARA LEE: http://www.facebook.com/iara.lee.filmmaker.activist has begun a USA film premiere. Iara were on the Mavi Marmara and has traveled the world documenting art, culture and the use of that as a tool for positive resistance. Her film is amazing.


CULTURES OF RESISTANCE premieres:


1. APRIL 27 @7:30pm- NEW YORK CITY - at Columbia University, Room 417, Int'l Affairs Building 420 West 118th Street- New York, NY 10027 between Amsterdam and Morningside Drive



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2.  APRIL 29 @8:00pm- CHICAGO - at Gene Siskel Film Center: 164 N. State Street, Chicago, IL 60601 - http://www.siskelfilmcenter.org/culturesofresistance


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3. APRIL 30 @12:15pm- BOSTON - Independent Film Festival of Boston at the Brattle Theater in Harvard Square  - http://brattlefilm.org/2011/04/30/cultures-of-resistance/
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4. MAY 2 @7pm ALBUQUERQUE, NM - as part of People Before Profit Film Series at UNM at Mayat the UNM Student Union Building Theater - http://news.unm.edu/2011/02/peace-studies-soap-present-people-before-profit-film-series/


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Booking in Buffalo NY and Pakistan in progress!

Please see above if you are in each city and also if you wish to review the film. Contact myself or Iara Lee. Please share and spread in your city!










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Friday, April 15, 2011

Help Empower Japan Send Postcards in Solidarity!





you can live anywhere and help!



In wake of the massive 8.9 magnitude earthquake that hit the Pacific Ocean, Pakistan Youth Alliance proposed the creation of a charity project that mobilized the power of youth to participate in spreading relief to Japan.  Students and alumni from both the University of British Columbia and the University of Calgary committed to this project.  

PYA Canada is fully supporting this project and wants everyone to participate in this great cause.  This is important for students to be able to contribute with their creativity so their lack of personal funds does not hinder their compassion to help relief efforts.


Pakistan Youth Alliance


Everyone is are asked to create a postcard (4" x 6" OR 5" x 7" ) with supportive, positive, hopeful and encouraging messages via pictures and text. The postcard will target envisioned recipient(s) according to age and gender: family, elderly, adults and children. The collection of art pieces will be filtered for appropriate content according to our guidelines before being sent. 






IF YOU CANNOT MAIL/GIVE YOUR POSTCARD IN PERSON OR IF YOU'RE OUTSIDE OF CANADA AND WANT TO PARTICIPATE:   
Please scan you postcard or send us the soft copy of your digital postcard at pya.canada@gmail.com   
 We will print it for you without any cost and will add to our collection. 


The postcards will be allocated in different shelters around various affected regions in Japan. We are currently connecting with Red Cross in Japan to aid in the distribution of postcards. Our goal is to have 500 postcards divided and distributed to reach 10-20 locations. 


For more info: http://empoweringjapan.posterous.com/



© 2011 Sana Khan International CEO PYA Canada




Disclaimer:


Your creation, if you wish, will be posted on the internet for promotional purposes only. We do not hold responsibility if the image is taken by a third party for their personal use. You hereby acknowledge that any work posted online is liable to be stolen or misused and waive any accusation against our team.

Our pledge to you is that we will post it on the gallery of our website (i.e under the project named: Empowering Japan) with your description. This is only for promoting the project. We are not accountable if the image was used for other purposes than the above mentioned. You hereby waive the right to take legal actions against the misuse of your image once it is in public circulation.

The team holds the right to reject any postcard due to content deemed inappropriate by us. By submitting your postcard to our team, you are agreeing to these terms of use.